sabotabby: (doom doom doom)
 Hi I am very tired.

Give a listen to Cool People Who Did Cool Stuff's entire last few weeks, which has been about the alter-globalization movement, but especially to this week's episodes, "Bread and Puppet: The Dawn of Giant Protest Puppets." (Part I | Part II). This is one of my special interests, stemming from how I used to teach at a puppetry camp, and I've actually been lucky enough to visit Bread and Puppet in Vermont on a road trip, albeit not quite lucky enough to see one of their shows. I am always in favour of more theatricality in activism and these episodes trace the evolution of one particular brand of theatricality that I'm especially a fan of.

I bet you will be surprised to learn that the personal stories of the two founders of the theatre are also especially interesting. Also, since Jamie Loftus is the guest, there is a tragic hot dog connection.
sabotabby: (books!)
 Just finished: Alien Clay by Adrian Tchaikovsky. Yeah, I think this is my Hugo best novel pick. It was really good, really timely, fucking gross, and gave me nightmares. It's very much a confluence all of Tchaikovsky's quirks—rather darkly funny narrator, alien minds, and the particular type of resolution he goes for. All of those things happen to work for me quite a bit. This one reminded me quite a bit of Jeff Vandermeer but less nihilistic and I liked the characters more.

Currently reading: The Tainted Cup by Robert Jackson Bennett. This was the only novel on the Hugo list where I'd never heard of the author or the book. I'm loving it so far though. It's a murder mystery set in a city where only engineered seawalls stop the things from Attack on Titan from demolishing the place every wet season. A noble is murdered in a mansion (not his mansion) via a tree growing through his body. The person charged with investigating the murder is an old autistic woman who doesn't leave her house so she gets a young man to be her eyes and ears. The murder mystery structure makes it rather different from not just this batch of nominees but the other award lists in general, which is also intriguing.
sabotabby: (books!)
Fiction:
1. Faust, First Part, Johann Wolfgang von Goethe
2. Wolf's Path, Joyce Chng
3. The Bright Sword, Lev Grossman
4. The Downloaded II: Ghosts In the Machine, Robert J. Sawyer
5. Who We Are In Real Life, Victoria Koops
6. Faust, Second Part, Johann Wolfgang von Goethe
7. 120 Murders: Dark Fiction Inspired by the Alternative Era, Nick Mamatas (ed.)
8. School of Shards, Maryna and Serhiy Dyachenko
9. Never Whistle At Night: An Indigenous Dark Fiction Anthology, Shane Hawk (ed.)
10. May Our Joy Endure, Kev Lambert
11. Demon Engine, Marten Norr
12. Slow Horses, Mick Herron
13. Together We Rise, Richie Billing
14. Love Medicine, Louise Erdrich
15. The Butcher of the Forest, Premee Mohamed
16. The Dragonfly Gambit, A.D. Sui
17. Lost Ark Dreaming, Suyi Davies Okungbowa
18. The Practice, the Horizon, and the Chain, Sofia Samatar
19. The Brides of High Hill, Nghi Vo
20. The Tusks of Extinction, Ray Nayler
21. Someone You Can Build a Nest In, John Wiswell
22. The Ministry of Time, Kaliane Bradley
23. Bad Cree, Jessica Johns
24. What Feasts At Night, T. Kingfisher
25. real ones, Katherena Vermette
26. The Siege of Burning Grass, Premee Mohamed
27. Withered, A.G.A. Wilmot
28. Service Model, Adrian Tchaikovsky
29. A Sorceress Comes to Call, T. Kingfisher
30. Alien Clay, Adrian Tchaikovsky

Non-Fiction:
1. Bad Fire: A Memoir of Disruption, Tucker Lieberman
2. Orwell's Roses, Rebecca Solnit
3. One Day, Everyone Will Have Always Been Against This, Omar El Akkad
4. Undrowned: Black Feminist Lessons From Marine Mammals, Alexis Pauline Gumbs
5. How To Write a Fantasy Battle, Suzannah Rowntree

Poetry:
1. The Book of Questions, Pablo Neruda, William O'Daly (Translator)
2. UpRising, Kelly Rose Pflug-Back (ed.)

Plays:
1. William Shakespeare’s As You Like It: A Radical Retelling, Cliff Cardinal
2. Too Good To Be True, Cliff Cardinal
3. Huff & Stitch, Cliff Cardinal
4. Cottagers and Indians, Drew Hayden Taylor

Books With Pictures In 'Em:
1. The Memoirs of Miss Chief Eagle Testickle: Vol. 2: A True and Exact Accounting of the History of Turtle Island, Kent Monkman
2. Ghost Ghost, Crooked Little Town, and The Same Water, Richard Fairgay
3. Spotlight on Labour History, Cy Morris
4. Dakwäkãda Warriors, Cole Pauls

Short Things:
1. The Four Sisters Overlooking the Sea, Naomi Kritzer
sabotabby: (doom doom doom)
 Hmm, let's see. I really liked Conspirituality's "Dems Ask: What Is a Man?" episode. In general they've been doing a lot of coverage of Masculinity Crisis stuff lately and this episode, which focuses on quite pathetic attempts from the less-right wing of the American Party to re-capture the young male vote, via...studies and focus groups.

Well, fuck.

You can look to the wonderful example of New York to see a good counter-example of how to do it right, though this episode dropped before Zohran Mamdani's inspiring victory. If I were a more conspiratorial thinker, I'd say that the less-right wing of the American Party loses on purpose, and you need look no farther than their attempts to sabotage Mamdani's campaign for evidence. At any rate, the analysis in this episode lines up with what actually happened—we don't need a Joe Rogan of the left, we need people who can speak to frustrations and channel popular anger, not just for young men but for all genders.
sabotabby: (books!)
Just finished: A Sorceress Comes To Call by T. Kingfisher. I ended up really loving this one. Reading all these award-nominated books has been a fascinating experience tbh, because (with a few notable exceptions) it's all pretty high-quality, but it's just off enough from what I'd normally read that I get to speculate about where my taste deviates from other people's. Also, because this has the worst book cover I've seen in awhile—to be clear, I've seen three covers for this and they all suck—but imo is much better than the other things I've read by her so far.

Anyway, as to the actual content. This is a dark retelling of the Grimm Brothers' "Goose Girl," which I had never heard of before, and which is already quite dark, seeing as it features the severed head of a murdered horse. It actually doesn't have much to do with the original story beyond involving a horse, a flock of geese, and some unfortunate marriage proposals. But the fairy tale frame and vaguely Regency setting is one of its strengths—Kingfisher is free to do a lot of interesting character work within that structure.

Case in point: Hester. I mentioned that the story was about Cordelia and her mother Evangeline, the aforementioned sorceress, but Cordelia is really a decoy protagonist, and the heroine of the story is Hester, the sister of the man that Evangeline intends to marry. Hester is 51 with a bad knee and a cane and has refused marriage to the man she's loved for years because she values her independence. She plays cards with a group of other badass middle-aged ladies and takes zero shit. I love her. The story is really the story of solidarity between women, from Hester and her friends, to Cordelia pushing back in any way she can against her mother's abuse and expectations of marriage for her, to the maids and servants of the household. Also it has the right level of darkness for something like this—there was a genuine sense of peril that I haven't seen in a lot of the horror-adjacent works I've read lately.

Currently reading: Alien Clay by Adrian Tchaikovsky. I think (unless the last book I have to read is amazing), this is going to end up being a Tchaikovsky-vs-Tchaikovsky decision for me with the Hugos. So far this one is edging out Service Model on concept alone, but I'm under halfway through, so we'll see. It's about a dissident scientist exiled to one of three newly discovered exoplanets, called Kiln. Earth is ruled by the Mandate, which believes in strict social control and scientific orthodoxy. Arton is an unreliable first-person narrator, so while he initially seems to have been exiled for following the scientific method to is logical conclusions, he quickly reveals that no, he was also a political revolutionary.

The journey from Earth to Kiln takes 30 years and is one-way for the prisoners sent to work there, which means that the Mandate is able to tightly control information about it—namely, that there are alien ruins on the planet, so not only does it have life, but it had at least at one point sentient life. Also, the life that they do find is Jeff Vandermeer-level fucked—each organism is made up of a bunch of other organisms that live in parasitic relationships, making taxonomy a nightmare. Arton occupies a difficult position where, as a biologist, he has a certain level of privilege amongst the prisoners and is exposed to less danger than most, but also he's linked up with the more revolutionary elements and has nothing to lose but a nasty death by rebelling.

Anyway, this is really cool and I'm into it.
sabotabby: (furiosa)
Always remember that if they had the money to bomb Iran, they had the money for universal healthcare, affordable housing, USAID, even egg subsidies if y'all* were so hell-bent on cheap eggs that you'd elect a fascist.

cut for some impolite thoughts )

* Not you, obviously. Or you wouldn't be reading my blog, which has beaten the "don't invade other countries" drum since the early 2000s when I started it.
sabotabby: plain text icon that says first as shitpost, second as farce (shitpost)
 Listen this is the best episode of a podcast you'll listen to all week. Maybe ever. In this podcast lies the seed of all other podcasts.

The Aurora-nominated podcast Wizards & Spaceships episode "The Ur-Pisode: The Queer Heart of The Epic of Gilgamesh, ft. Julian Gunn" is about the Epic of Gilgamesh (obviously), why it still matters after 4000 years, and most importantly, why Tablet XII is canon despite what homophobic translators have done with it over the past century or so. It's so good you guys. It makes me happy every time I listen to it. [personal profile] radiantfracture is just one of the most brilliant people I know and hearing him geek out about this is a delight you won't want to miss.
sabotabby: (books!)
 Just finished: Service Model by Adrian Tchaikovsky. This one was really fun. I have three more Hugo nominees to read but so far this is on top. There's something weirdly quaint about it—it's a girl and her robot story, or rather, a robot and his girl story, these two absolute oddballs wandering a post-human wasteland on a quest for meaning, and I can read like a thousand stories with this concept and not get bored if the author pulls it off. Which I think Tchaikovsky does. IMO his stuff either floats your boat or it doesn't but I find him incredibly fun and humanist and this was a delight.

UpRising by Kelly Rose Pflug-Back (ed.). This is an ARC and I don't know when it's coming out, but when it does, you should read it. It's an anthology, mostly poetry, about mad pride/mad liberation and most of the writing is stunning. It's dark stuff—besides the mental illness, there's addiction, homelessness, police brutality, and so on—but written with unbridled passion and compassion. Interestingly enough, there's a story by A.G.A. Wilmot in it (the author of Withered, which I went on a big rant about last week). As with that book, the protagonist is asexual and has an eating disorder but there's nothing cozy about the story and it was actually one of the highlights for me.

How To Write a Fantasy Battle by Suzannah Rowntree. Another ARC, this is a short little book that is exactly what it says on the package. For reasons, this is pretty relevant to my interests right now, though it focuses more on medieval-style warfare than, say, urban guerrilla fighting but with wizards. That said, it is an accessible walk through the big concepts that apply to a number of different settings, using examples from the Crusades to the Russian invasion of Ukraine. Super useful, well-written, and even entertaining.

Currently reading: A Sorceress Comes To Call by T. Kingfisher. I just started this one. It's about a girl named Cordelia who grows up with a, shall we say overbearing?? mother. Who is able to make her "obedient"—basically paralyzed, mute, and silent at will. She's not allowed to close her door, and her only joy in life is riding her horse, which her mother approves of because it'll help her get a suitor. She befriends a girl in town who also likes riding. That's about as far as I've gotten. Very creepy so far, though, I'm intrigued.
sabotabby: plain text icon that says first as shitpost, second as farce (shitpost)
Standard disclaimer: I am not involved in any of this. Discussions of protest tactics are purely speculative; this is not legal advice, and if you commit an actual crime, don't post about it.
 
Courtesy of a friend who may identify themselves if they choose (thank you!) I read this article in Mother Jones about the No Sleep For ICE movement and can't help constrasting it with the #NoKings protest. Not that I'd want to disparage the latter—I think it's awesome that people did it!—but the former is an example of the kinds of tactics that we increasingly need to see.

I have a number of issues with protest marches, especially in North America. We on the left tend towards reification of historical protest movements without ever analyzing what made them effective (or not). A good example locally is the Days of Action, a series of rolling one-day strikes against the extremist right-wing government of Mike Harris in 1996. These were a resounding failure. Mike Harris and his regime steamrolled over the labour movement in Ontario, which never recovered, and despite being directly responsible for a number of deaths, continues to enrich himself by running gulags for seniors. However, these protests were loud, colourful, and most importantly, made people feel like they were Doing Something. Again—it's important to make people feel like they are Doing Something, that is how movements get built. But when a new far-right regime was elected in Ontario, the entire strategy of the labour movement pivoted to re-enact a protest movement that had been an abject failure, and so we lost again, repeatedly and even harder. 

I had the same issue with Occupy, where what had been a successful tactic in Egypt and New York was exported around the world, without regard to local conditions. It resulted in one baffling morning spent wandering the Toronto encampment, where a lone speaker used the People's Mic to communicate with five comrades. The aesthetics of protest triumphed over the old-fashioned idea that protest ought to accomplish something.

Now we are seeing LARPing of the kind of mass demos that have been happening since the 1960s, most of them failures, as the authorities are quite competent in curtailing this kind of activism, either by assassinating political opponents, kettling demonstrators, or conducting mass surveillance to be used in future disappearances. The great success of #NoKings is the theoretical embarrassment for Trump of seeing his own sad, empty birthday parade dwarfed by crowds in nearly every American city and town. To be clear—this is a success, as Trump cares a great deal about crowd numbers. But this is a regime immune to reality and shame, and entirely capable of generating AI slop to convince the death cult members that what they saw with their own eyes wasn't true.

Which is to say: It's good, it's useful, but now the tactics need to change.

To contrast, No Sleep is very targeted in its strategy and goals. Let's be clear: Every employee of ICE is a human trafficker. They should not be allowed to return to their homes and communities after a day's work, because that day's work is Nazi shit. Targeting them where they live and sleep is critical. It reminds us that these are not normal people who are doing a job, but instruments of a police state who are conducting activities that are unreservedly evil and socially unacceptable. It is a reminder both to them and anyone who cooperates with the Trump regime that, in fact, "just following orders" is famously not a defence at the Hague. Most importantly, though, it introduces friction between the regime's aims and its outcomes, rendering it less effective in kidnapping and disappearing people.

I think we are all thinking: "I am exhausted. I can't fight everything all at once. Where are my energies best spent?" At least, I'm thinking that. This is deliberate; this is flooding the zone, making the laundry list of bad things come so fast and furious that opponents don't have time to recover from one fight before we're thrown into another. It's very tempting to get enmeshed in weekend street demos—for one thing, for those of us who work, they can be done on the weekend—but I would encourage everyone to participate in them with an eye to what they're useful for and what they're not useful for. Remember that surveillance will be gathered on you no matter how careful you are. If you or your comrades get arrested, movement resources will need to be directed towards your defence (and you will be dragged through hell because even if you did nothing wrong, the point of charges is to destroy your employment, finances, and relationships). Stay on the lookout for smaller, more agile actions that can add friction, rather than big showy events. Don't get caught up in violence vs. nonviolence discourse, or crowd numbers.

The answer to "where are my energies best spent" is always, "whatever you can do," which for me tends to be above-ground, legal actions on the weekends. This has different significance locally because our supposedly socialist mayor who used to go to protests passed a protest ban, so imo all protest energies in Toronto ought to at least focus a little on breaking this ban so that we can all get our Charter rights back. But this may not be the conditions where you are.

Also stop using the Hey Ho chant. It reminds me of Snow White and the Seven Dwarves but instead of marching over a log, they're walking headfirst into a police baton.
sabotabby: (doom doom doom)
I dunno, why not make yourself more anxious this week. It Could Happen Here has the ability to send James Stout, an experienced war journalist, to LA to cover the uprising against ICE kidnappings. There's a lot of coverage in today's episode, which I'm currently listening to, but for detailed reporting, listen to "On the Ground in LA."

The scale of the so-called riots will surprise you—they surprised me, and I've been to LA. It's a very big city and unlike during the wildfires, very little of it is actually on fire. The uprisings, which are direct responses to people's families, neighbours, and colleagues being kidnapped by an out-of-control paramilitary organization, are actually only a few thousand people. Which is not to denigrate the bravery of those people—quite the opposite!—but to poke holes in the regime's propaganda.

P.S. If you are going to a protest this weekend, please ignore that "non-violent wave" thing and other similar memes going around. It is an op. If violence erupts and you do not want to be involved, don't sit down. Get out of there. I do not want to see a generation of young protestors with traumatic brain injuries, please. Also avoid bridges (don't let yourself get kettled or arrested en masse), and if you get teargassed, use water, not milk or anything else. Stay safe, I love you.
sabotabby: (books!)
Just finished: Dakwäkãda Warriors by Cole Pauls, I don't have tons to say about this comic—it'll take you maybe an hour to read if that, and it's really cute and fun, and then you read the context around it and it's quite moving and beautiful as well. It's basically a language revitalization project wrapped up in a pew-pew-pew space opera story. It's cool that this exists and I want there to be more of it.

Withered by A.G.A. Wilmot. Listen, cozy horror and other cozy authors! I will make you a deal. You get one (1) scene where the asexual protagonist comes out to their appropriately diverse love interest and they talk about their sexuality and consent in a mature, healthy way, infused with Tumblr therapyspeak, and agree to just hold hands or whatever. In exchange, I want y'all to try excise or subvert toxic tropes like having your main human antagonist being a woman who is haunted by a ghost no one else can see and locked up in a mental institution for 25 years, who has no agency at all, and who at the end realizes the error of her ways and is...cut loose to just be homeless and wander forever, I guess????

Like, aesthetically, I hate cozy. I fucking hate it. I try really hard to not judge the taste of people who like it, because intellectually I get the appeal and there's nothing wrong with liking what you like, but it's very much not for me. And when I have to read and rate a cozy book, I try to keep the ideal reader in mind, not me, a grim and cynical person who likes messy characters and tension in my storytelling. I think there are some cozy, or cozy-adjacent books that are done well (Regency and Regency+magic does low-stakes, mostly good characters in ways that I enjoy, for example) and I don't want to judge the entire subgenre either.

But I do think that there's a tendency for specifically cozy fiction to use didactic storytelling (casts include one of everyone and/or a lot of twofer characters, but these identities tend to be very shallowly written except for where they reflect the author's, conflicts are easily resolved by talking things out, good behaviour is rewarded and bad behaviour is punished or reformed, discussions about emotion or sexuality are always direct and never in conflict). So if you are going to write a book that includes, for example, instructions for the reader on how to navigate a relationship with an ace person, or how to approach therapy for a mental illness, I'm going to also need you to examine your work for unintentional messaging in a way that I wouldn't necessarily do if you're writing, say, Gothic horror where the protagonist can't decide whether she wants the vampire to eat her or fuck her. 

Which is to say that in a world where we get to see multiple Zoom therapy sessions, I do not buy that a mental institution merely drugs a character and does not attempt to help her heal at all. I think that sets up a dichotomy between Good Mental Illness (you know, the kind that makes you pretty and kinda tragic) and Bad Mental Illness (where you get your mess all over other people/try to burn down the family house) that is not good or wholesome at all.

Also, the climactic battle at the end was a huge WTF.

If you, like me, would like to join in on Cozy Horror Discourse multiple years after it was live, here are some links I appreciated:

The Material Basis of Cozy Horror by Moreau Vazh
In Praise of Discomfort by Simon O'Neill

Currently reading: Service Model by Adrian Tchaikovsky. This one starts with a robot valet murdering his master and not knowing why he did it, so, promising beginning. Humanity increasingly relies on robots to do everything, and as a result, is dying out. Charles, the valet in question, doesn't know what to do without explicit orders, and so he reports to Diagnostics, only to find that robot repairs are backed up due to funding cuts that have eliminated the entire human staff. Also he may have developed a Protagonist Virus that gives him agency and self-awareness, which he very much doesn't want.

The voice in this is great—the first two chapters are basically the robots navigating their way through the murder without being able to deviate from their programming, and it's bitingly satirical and very funny. I'm rather enjoying this.

Pro-tip

Jun. 9th, 2025 07:40 pm
sabotabby: (molotov)
 They are going to beat you, and eventually kill you, regardless of whether your protest is violent or non-violent.
sabotabby: (doom doom doom)
 I dunno, what do you guys want me to rant about? The Freedom Flotilla? LA vs. ICE? The fact that my government is planning more pipelines while sending in the army to deal with out-of-control wildfires? Or, closer to home, Bill 5 or the Toronto bubble zone law, or...?

This is why people curl up and retreat into fiction.
sabotabby: (doom doom doom)
I remain once again mostly behind on podcasts, but maybe have a listen to It Could Happen Here's "Governing Fertility: How Pronatalist Policies Kill." (Trigger warning: It contains fairly graphic descriptions of what happened in Romania under CeauČ™escu, which legit gave me nightmares as a kid. 

One of the particular hallmarks of both Trump 2.0, his ex-BFF Elon (who is responsible for approximately 30,000 child deaths in his short tenure as Grima Wormtongue), and far-right populist/techbro movements around the world, is an obsession with forced pregnancy, insemination, and reproduction. Obviously this is viscerally upsetting to everyone who's read or seen Handmaid's Tale, and given that the actual supposed problems with a declining birth date are mostly solved by immigration, which they want to decrease, bears some further examination. They don't just want to ban abortion, but pursue incentives for large families headed by heterosexual married couples, punish the childless, and create eugenics programs. The one thing that they don't want to do is care for whatever children are born, or create social conditions where families can live in financial and physical stability, because then the money would be sad.

The gang looks at a number of movements, including Spain and Japan, but Romania is actually the closest parallel to Trump's plans, and it's important to confront that horror straight in the face so they you know exactly what they want for American families and children. Although, you know, eventually the Ceaușescus got shot in a basement and dragged through the streets so at least there's that to look forward to.
sabotabby: (books!)
Just finished: real ones, Katherena Vermette. This one ruled. I don't have a lot to add to what I said last week except that I really enjoyed it. If you want a good pairing (or you're not super familiar with the context of the Canadian arts scene), Jesse Wente's Unreconciled provides a great non-fiction one. But yeah, I loved the characters, I loved the poetic, Impressionist writing style, it was emotionally affecting without high stakes or pacing, which is something that genre writers could learn a lot from (more on that later). Vermette seems to be putting out great books with impressive frequency but this is the one I've enjoyed most so far.

The Siege of Burning Grass by Premee Mohamed. This one was imperfect and ambitious, but I'll take that over boring any day. It's a master class in how to do some interesting worldbuilding; there's a lot going on in the background, and you get it only as a sketch. Oh yeah, there are lizard guns. Why are the guns lizards? Eh, don't worry about it, keep up. It's pretty New Weird in the tradition of Miéville and Tchaikovsky (positive) so I liked that quite a bit.

I have two big critiques, one big and one small. First, the small. This is critically acclaimed, nominated for a bunch of awards, and put out by a real press. And yet. And yet. Alefret, the main character, has one leg. This is clearly established in the opening line. His leg is slowly growing back thanks to an experimental serum that's delivered via wasp sting (again, cool) but it's slow and he's on crutches for the entire book, something that is done very well and really gives a good sense of the character's physicality. And then there is a scene where he is having dinner with two elderly sisters who have a cat. Under the table, the cat brushes up against his ankles and he holds his legs very still. WTF? Which editor let that through?

My bigger complaint is that I don't think she quite lands the ending. As I've said, it's ambitious, a story about whether pacifism can survive a horrific war.
spoilers )

Cottagers and Indians by Drew Hayden Taylor. This is a one-act play based on the true story of Anishinaabe people trying to re-seed lakes with wild rice, over the objection of white cottagers. And it's amazing, obviously. Everything he writes is great and this is particularly affecting. It's a dance between two difficult, complicated characters, and while the white cottager character could easily be a hideous caricature, Hayden Taylor is too much of a humanist to take the easy road out. There's also a great afterword by Leanne Betasamosake Simpson, because of course there is.

Currently reading: Dakwäkãda Warriors by Cole Pauls. This is a bilingual (!!!) Indigenous futurist comic about two defenders of the earth, beautifully illustrated in a Formline style. If you want to learn Tahltan, I can't think of a cuter way. There's a lot of pew pew pew and it's very fun.

Withered by A.G.A. Wilmot. JFC not another cozy horror, fuck me. This one starts out very promising, with a teenage girl, haunted by the ghost of her recently dead brother, trying to burn down the family house before it kills the rest of her family. 25 years later, Robyn, who grew up in the tiny town of Black Stone, has fallen on financial hard times after the death of her husband, so she moves herself and her teenage child, Ellis, back home into the very same house. Ellis meets a number of residents, mostly young people, who insist that the house is haunted, and that there's a strange power that it exerts by displacing death into the surrounding towns, while keeping the people in Black Stone alive for a very long time. This is a good set up for horror. I'm here for it.

However, it turns out that the haunted house is nice, actually??? and everyone in the town is very nice??? Ellis is recovering from a life-threatening eating disorder that they in part attribute to "anti-queer cultural norms" and yet they do not encounter anyone who doesn't want to be their friend and/or date them, they immediately get a job at the cool coffee shop without a resume, and everyone in their life is accepting and friendly. Once again, a queernormative setting wants to have its anti-oppression cake and eat it too. I guess maybe the house is somehow making everyone in this small town cool and rad and multicultural, but I dunno, I lived in a pretty small town and it wasn't great.

Also all the kids are goth or alternative in some way and listen to the kind of music that I like. I can buy that there are tons of teenage Black girls in the year of our lord 2025 who listen to Bjork and Sigur Ros. What I cannot buy is that in a tiny town, one of them would just happen to meet and fall for a kid who listens to Frightened Rabbit and the Mountain Goats.

Anyway, I am suspecting that the girl who spent 25 years in a mental institution (what) is going to end up being the villain of the piece, because this is what reading cozy things has led me to suspect. But let's see.
sabotabby: (doom doom doom)
 When someone tells you that something is "inevitable" or "here to stay," you shouldn't believe them. You should, in fact, do something between vicious mockery and other, more high-level spells on them. They are lying to you and they want you to suffer.

In the past, massive political and socioeconomic changes were enforced through violence. Before Margaret Thatcher could have people believing that There Is No Alternative, she had to crush the miner's unions. Before neoliberal structural adjustment policies were enforced on the Global South, governments and corporations had to rig elections, murder Indigenous people, and starve their populations. 

So why are we accepting this massive change—the enshittification of all things from labour to education to the arts—that no one asked for and no one wants? Because we are a very passive, bovine population that has been conditioned for decades to accept anything that Big Tech tells us that we want. Which is why I get daily emails from companies and my employer giving me best practices for incorporating plagiarism into my pedagogical practice, etc.

The handful of independent tech reporters who still have brains, like Ed Zitron and in this case, Paris Marx, put the lie to that. Tech Won't Save Us has a great episode, "Generative AI is Not Inevitable with Alex Hanna and Emily M. Bender" that discusses how obvious it is that gen AI has not lived up to the hype, that it's an industry propped up by wishes and VC capital rather than an actual market, and that we can actually nip this in the bud. It's very empowering and I'm definitely going to check out the book that the two guests wrote.
sabotabby: (books!)
Just finished: Bad Cree by Jessica Johns. I really enjoyed this one, with the caveat that it was hyped to me as the most disturbing thing, read it before giving it to a student, etc., and it was a very different (if very good) kind of book. Though possibly my calibration for disturbing is way off. I did find it a very strong story about family and community vs. extractive industries and the MMIWG epidemic, and one of the best use of dreams in fiction I've seen since we all decided that kind of thing was gauche.

What Feasts At Night by T. Kingfisher. I enjoyed this one too. After barely surviving the events of the first book, our lead and ka (?) companions return to their home (fictional) country, where the caretaker of the estate has suddenly died. The villagers won't go near the place and claim that it's haunted by a creature that sits on your chest and sucks out your breath. So, they have to fight it, all while dealing with PTSD from the war. Fun stuff.

Two things I particularly liked about this: 1) it actually was disturbing as shit, especially the scene with the horses. 2) this is kind of the reverse of what I complained about with Someone You Can Build a Nest In in terms of queernormative fantasy settings. The imaginary country is integrated into the Serbo-Bulgarian War, but it is clearly a country with different norms, myths, and traditions. The novella has a nonbinary lead, and this identity is important and plays a role in their backstory, but it also has a different meaning and definition that in would have in our world (it's important to note that this is queernormative and Alex doesn't appear to be discriminated against in their society, but there are still gendered expectations and roles). It contributes to the worldbuilding as well, so there are different pronouns for both God and priests, and that adds interest rather than erases difference. Anyway, it is pretty cool.

Currently reading: The Siege of Burning Grass by Premee Mohamed. This one was also really hyped up and I can see why. There's a longstanding war between two empires: Varkal (which is kind of industrial-age but uses genetically altered animals as its technology) and Med’ariz (which has floating cities and more technologically based weapons). The causes and parameters of this war are deliberately fuzzy to the POV characters, but Med'ariz seems to be winning. Alefrat, the leader of the pacifist resistance in Varkal, is blown up, kidnapped, and imprisoned by his government, and let out on the condition that he travel to the Med'ariz front line, infiltrate them, and create the same kind of grassroots uprising that he did in Varkal. He's accompanied by Qhudur, a brutal soldier/prison guard. 

This is very good so far; it pulls no punches either in its depiction of war or its depiction of disability (Alefrat's leg was blown off before the story begins, and there's a bizarro doctor who had started to regrow it with wasps, and the entire thing is very nasty). It's definitely problematizing pacifism and its role in defanging political movements, though I am not sure where the author/narrative is ultimately going to fall on this. It feels like a slog, and this is intentional; every inch of the characters' journey is painstakingly fought for, and you feel it.
 
real ones by Katherena Vermette. I really liked the other book I read by Vermette; this one is better. It's about two sisters, June and lyn, whose father is Michif and mother is white. Said mother, Renee, is an acclaimed artist winning all the arts grants by pretending to also be Métis. When her identity is exposed, the sisters are not only faced with digging up the trauma of their childhood (this is nowhere near the only shitty thing Renee has done) but having their own identities, careers, and community ties thrown into question.

Pretendians are somewhat of a national obsession here, and I don't weigh into it much because it's not at all my business, and it's a source of pain for Indigenous folks that I don't want to accidentally aggravate. Besides just being a really good story, this is an amazing look into the psychology of someone who fakes Indigenous ancestry and how it affects everyone around her. I haven't seen this tackled in fiction at all and Vermette does it spectacularly. It's also weirdly relatable in the relationship that the sisters have with their mother—growing up with a mostly-absent conman father, I get how they can't bring themselves to cut off Renee entirely even when she wrecks destruction in their lives. 

Also the look at the media and arts landscape of Canada is just spot on. Perfect. It's so good.
sabotabby: plain text icon that says first as shitpost, second as farce (shitpost)
You all deserve a break from *gestures vaguely at the rest of the internet* so have a completely wholesome podcast for once. "LARP Camp" on Normal Gossip is about two awkward gay counsellors, a neurodivergent evil genius of a child, and a ghost or two. 

It's been a challenging transition from Kelsey McKinney to new host Rachelle Hampton, but Rachelle has finally hit her stride with this episode (and the one after it)—it's very funny and her storytelling here does the thing where you're like, "and then what happened?" It helps that the subject matter is up my alley. Anyway, it is incredibly cute so take a break from doomscrolling and give it a listen.
sabotabby: two lisa frank style kittens with a zizek quote (trash can of ideology)
The finale was...good, actually? Again, grading on a curve. It is still a bad show. But it's one of those bad shows where you get the sense that there is someone in the writers' room doing their best and sneaking all kinds of fun content in (see also: Archie singing IWW songs in Riverdale).

I had to check Reddit to see which case this was based on—it takes most of the episode to get to it. A seemingly unremarkable middle-aged travel agent drops dead in his driveway while his wife is out for a jog. It looks like a heart attack, but a cop in 44 Division suggests to Holness that she might want to get "her best" on it. Unfortunately the best that Toronto Police Services—sorry, TPD on the show for some reason—have are Graff and Bateman.

spoilers )

And that's a wrap. I guess I'll have to find some good show to watch now.
sabotabby: (books!)
 Just finished: The Ministry of Time by Kaliane Bradley. I don't know what to make of this, and will definitely be checking out the Wizards vs. Lesbians episode on it (not that I always agree with them, but they do raise perspectives that are interesting). I would say overall the prose and characters carried it. I got to know these people, I fell in love with them in the same way that the narrator did. It was compelling, as the kids say.

But I don't think the ended quite landed and I'm struggling to think of why. In part (and this is confirmed a little in an interview that follows the book), it's hurt a bit by the first-person narration. Bradley is telling a much bigger story than the narrator sees, and while that thankfully rescues it from being a didactic Message Book, it might have swung too far towards the other direction where I'm not exactly sure what it was trying to say. It's one of those books that straddles the literary and genre, and I tend to prefer genre in a literary style than literary fiction exploring genre. 

That said, it was so relentlessly well-written that I feel like my ill-defined issues with it are kind of irrelevant because I highly enjoyed it.

Currently reading: Bad Cree by Jessica Johns. I'm almost done this one. It's almost the reverse—protagonists figuring out genre solutions to literary fiction problems. I was given a warning about this book and I'm yet to figure out why.

What Feasts At Night by T. Kingfisher. I didn't read the first novella in this series (What Moves the Dead) despite it having my favourite cover the year it came out. So it's taking some getting used to. On the plus side, the opening is suffused with so much gothic horror that I find myself turning into a young woman fleeing in a white gown across the moors, holding a candlestick.

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