The COC's production of
Aida had me at the skeletal women in gold lamé dresses dry-humping death-masked Egyptian soldiers in a field of corpses.
Aida has a special place in my heart in that it is the first opera I ever saw. We went on a class trip when I was in grade school. I was very excited, because Grand Spectacle! With Elephants! And I had listened to the music and found myself enjoying it, despite my aversion at that age to anything that didn't have an electric guitar in it. Unfortunately, the production I saw as a kid was godawful. It was at the Skydome, so that music that I'd loved was practically inaudible. It was a special rehearsal for the children, so they cut out quite a bit and it made no sense. Also there was not an elephant.
So when
chickenfeet2003 had an extra ticket, I jumped at the opportunity to see a production that was deemed "controversial" and thus was probably pretty good. It was fantastic. Strong singing all around, particularly from Sandra Radvanovsky, and near-flawless staging. (As
chickenfeet2003 mentions in his review, the Temple of Vulcan scene didn't quite work, and they could have done fun things with the religious aspect but didn't.
Apparently the set designer was booed on opening night, which I didn't even think happened anymore. (The reception was enthusiastically positive when we saw it.) The choice to put the title character in the costume of a cleaning lady (as opposed to the more glamourous outfits typically worn by slaves in Egypt? I got nothing) was none too popular with a certain segment of the audience. I thought it was brilliant. As
chickenfeet2003 said as we were leaving, "art's about asking thought-provoking questions, not taxidermy."
All in all, a fine evening.