sabotabby: (doom doom doom)
 That feel when your doom-and-gloom icon* is overly optimistic.

* Let's face it I use it often enough that it might as well be my default icon at this point.
sabotabby: raccoon anarchy symbol (Default)
@dewline mentioned the Shock Doctrine. That, for anyone who hasn't read it, is Naomi Klein's excellent book about how right-wing governments and corporations use disasters to enforce their ideology on the rest of us. He suggested two can play that game.

This is why I'm only panicky some of the time. Because shit-scared as I am, I'm seeing it happen.

Let us review some ways to mitigate pandemics:
  • Universal health care. The US is in a uniquely vulnerable position for a number of reasons, but chief among them is a refusal to test and treat COVID-19 patients for free. Their patchwork healthcare system is already becoming overwhelmed. 
  • Universal Pharmacare, a.k.a. why we should have voted NDP in the last election. The fact that we don't have this is likely going to be a problem for us.
  • Rethinking how we do education. The Ford government is going to attempt mandatory eLearning, and it's going to fail because they can't even design a license plate. But you know what's even worse? Cramming 40 kids in a classroom built for 25. A huge push in my board has been to shutter underutilized school buildings and move towards closing any school with less than 1000 students. In a small school with extra space, you can do social distancing. In a school at 90% capacity, you can't.
  • Building redundancy into staffing. The problem isn't that the virus is going to kill us all. The problem is that the virus is going to overwhelm hospitals. But longer term, it's also going to overwhelm other key institutions when critical people fall ill and have to be quarantined. Just-in-time staffing, which is what most companies and now schools, hospitals, nursing homes, etc., do, makes us more vulnerable in a pandemic. We need to have extra nurses, extra caretakers, extra childcare workers, extra cooks, even if they're sitting around doing nothing some of the time, because redundancy allows the company or institution to maintain continuity of operations through a crisis.
  • Housing for all. You can't quarantine if you don't have a home, and unhoused/transient populations spread a pandemic faster.
  • Loan, debt, and rent forgiveness. Bailouts aren't just for banks. If we allow people to fall into poverty as a result of either getting sick or having their place of work shut down, we worsen the epidemic by having people unhoused or in transient situations.
  • Paid sick leave. This goes without saying.
  • Robust internet access. So we can work from home when we need to.
  • Greater support for disabled, ill, and elderly people. They are the primary people who are at risk and we need to work together to ensure that resources are maximized to help them survive.
  • Ending arbitrary detention. Prisons and concentration camps are disease vectors. We have to avoid imprisoning people to the greatest extent possible, especially vulnerable populations.
  • Strong communities. More on that in a bit.

What do these things have in common? Oh, only the kind of stuff that the moderate left has been demanding, when it summons the courage.

And at the risk of silver linings, observe these maps of China and extrapolate to a worldwide pandemic. I'm not one of those silver lining types but we have learned that we can probably get away with producing less, driving less, and flying less, and maybe continuous exponential growth that primarily benefits a rich minority at the expense of growing inequality isn't all it's cracked up to be.

Here is the awesome thing, though. People are starting to get it, I think. A pandemic is a collective problem with collective solutions, and the super-rich hiding in their bunkers won't last forever if there's no one to clean their floors. Let's look at a few good news stories.
Here in Toronto, within hours of the closures beginning, a Facebook group started up to provide community support. People are making sure that elderly, sick, and disabled folks get the supplies they need, arranging food and childcare, posting where there's toilet paper and where there are shorter lineups, suggesting things to do to maintain sanity, and generally assessing people's needs and capacity to help. Friends have started Slack groups. I've felt moved to tears several times as I've had to reassure friends, students, and co-workers, and other friends have stepped up to try to reassure me.

When I went grocery shopping for some basic supplies, everyone was nice to each other. There weren't huge lineups or hoarding. Everyone is scared but everyone was also really friendly and putting on brave faces. My internet company, TekSavvy, just removed all data caps on everyone's account because they knew people would be relying on the internet more. I've seen a few folks in crisis but I haven't seen a solitary person being an asshole.

Now, this situation may change as we haven't really been hit with a crisis yet. But if we can maintain this level of social solidarity, we have a fighting chance against the crisis hitting.

It is true that there's a strong attempt to use the Shock Doctrine the way it's always been used. Thing is, it...isn't working so well this time. If China hadn't started out covering up the severity of the outbreak, it would have fared better. The US crisis will almost certainly be exacerbated by its tendencies towards secrecy and authoritarianism. If people realize it, this might lead to better political outcomes (I hope without widespread death.)

Thing is, people tend towards the cooperative in emergencies, contrary to every disaster movie and most post-apocalyptic literature. I want to leave you with the article that made me cry today, from the New York Times. It's about the Great Alaska Earthquake in 1964 and I think it says a lot about the resiliency of solidarity and community and how cooperation is the key to surviving horrible events. 
sabotabby: (doom doom doom)
 I vacillate wildly between abject terror and—that other thing. It's neither relief nor hope, but rather a belief in a set of steps that need to be taken to reorganize our world in a way that is sustainable and just. 

I woke up with a panic attack. The school closure thing hit me really hard.* I don't know if they're going to let us back in three weeks, to be honest.

Then I saw the picture of Bolsonaro in the hospital and I thought, well, he can't commit genocide against Indigenous peoples or burn down the Amazon right now, which is a good thing for said Indigenous people and those of us who enjoy breathing.**

And then I thought, what if my cats get sick(er)? Can I ensure that I have an adequate supply of Cocoa's kidney food? What if there's an emergency? Will the vets all be closed?

Even if younger, healthy people are mostly safe, there are many people in my life who are neither young nor healthy.

I always fantasize about having unstructured time off where I can just rest. I guess I'm getting it now. But that only works in contrast to the rest of the world proceeding as normal.

When this is over, am I even going to emerge into a world that requires my skillset?

I mean. I have anxiety. It's protected me up until last night, because I was so worried about other things that this whole thing registered as an Over There Problem. But it's finally hit me where I live in a very real way.

* This is the first thing the provincial government has done right and was absolutely the correct call. But I have serious doubts about their motivations for doing it, and their capacity to navigate a real crisis, because they are utter incompetents.
** Apparently the photo is from another time he was in the hospital. But he is being monitored for it. Regardless, he's probably too busy to do a genocide right now.
sabotabby: raccoon anarchy symbol (doomsday)
Three minutes to midnight.

doomsday-clock
(h/t: [livejournal.com profile] springheel_jack

Climate change, nuclear weapons, and the goddamned Russians again, if you're wondering.
sabotabby: raccoon anarchy symbol (TARDIS by mimisoliel)
So I finally watched the last episode of Fringe and found it, like the rest of the season, underwhelming despite hitting all the right emotional notes.


I've said this before in a bunch of places, but I just didn't care for the dystopia story, as it wasn't very dystopian. It could have been cool. In general, I've liked the weird one-off episodes, and I've liked the Observer episodes, and I like dystopias. But they did it wrong. Here's how:

Fringe, in previous seasons, involved people operating from a position of relative safety and power. Yes, they frequently got into trouble and sometimes died (though rarely for very long), but they still had jobs, houses, and authority. It's an interesting concept to take that away and make them fugitives, except that the writers didn't go far enough with it. For the most part, everyone still had cool tech, places to live, clean clothes, makeup, and a seemingly inexhaustible supply of identical vans that could be abandoned at a whim. Hell, they were even able to operate out of the same lab as in previous seasons, albeit a little less conveniently. The fact that they were all alive and together was also far too convenient; if they were going to go the plucky-freedom-fighters-versus-totalitarian-state route, it would have made much more sense to split up the group. The resolution was obviously going to involve a reset button the second they killed off Etta, so why not kill a major character every few episodes to ratchet up the tension?

The dystopia also failed on a worldbuilding level. For all of the Observers' advanced technology, efficiency, and ruthlessness, they did a worse job of intelligence and surveillance than Stalin managed in the 1930s. There's only so much you can attribute to our heroes being clever and lucky before the bad guys start to look like Keystone Cops. As much as I love Nina and Broyles and thought that the season suffered because neither were in it very much, about two seconds of research would have told the Observers that neither of them were to be trusted. They should have killed both of them after tearing their minds apart for information. And then blown up the lab, ambered or not, just to be safe. These are not people known for taking undue risk.

Also, Loyalists WTF? There are actual real historical examples of why individuals in a population might collaborate with occupiers, but apparently the writers decided to ignore that and go with...because they're mean and think facial tattoos are cool? I don't know. We only really got to meet one Loyalist, and his motive was slippery at best. You need some pretty strong incentive to cooperate with people who, for all intents and purposes, are aliens and are intent on making your world uninhabitable. There could have been a really interesting critique of security culture and why people might sacrifice freedom for stability, but they missed the boat.

The other bit I missed: Olivia's superpowers. I had no idea how much I missed them until they weren't there anymore (and then showed up in the finale) but I did. For one thing, they were cool. The Cortexiphan backstory is cool, from its sketchy medical ethics to its all-monochrome wardrobe, but mostly I liked that here is this character with weird powers that manifested in subtle ways. We didn't see her suddenly kicking ass in a way disproportionate to her build, or channelling bad CGI. Instead, we saw her turning lights on and off on a decidedly analog device and appearing, soaking wet, in a souvenir shop in a parallel dimension. It was unusually believable in a genre show with the budget to do cool special effects. But for some reason, when Olivia was depowered, they also decided to not have her be the main character in the show anymore, and so she mostly spent this season looking really tired.

There were a few good bits here and there: I perked up when they finally gave us a Walter-on-acid episode, because to me the heart of the show is actually Walter being hilarious on mind-altering drugs. And the finale hit the right emotional notes. Obviously Walter had to be the one to sacrifice himself, because thematically there's no other alternative, and obviously there had to be a happy ending for the main core of characters, because the show is not actually that dark. I was greatly pleased to see Red!Verse again, and Lincoln and Fauxlivia. (But of course I was reminded that the Red!Verse has been my favourite thing about the show since it was introduced, and part of the reason why I haven't much liked this season was the lack of Red!Verse characters.) Human!September sucked a lot but he got to say "reverse the polarity" and made me laugh.

Basically just left me with a bunch of questions:

- Why did the Observers leave September alive and make him human? Wasn't his problem, from their point of view, that he was too human? It would make more sense just to kill him, and then he wouldn't end up having bad hair and conspiring to wipe them out of existence.

- As I mentioned, why leave Nina and Broyles alive and in positions of power with access to sensitive information? If you're going to stage a coup d'etat, those are exactly the first people you eliminate.

- Should they not also shoot people putting up the Etta posters as a warning to others? (I swear I'm not really that bloodthirsty; it's just, you know, the kind of thing that's routine when you're setting up your totalitarian dystopia.)

- Why did the Resistance have cell phones, and why didn't the Observers tap them?

- And why could Nina and Broyles keep their conversations with the Fringe team secret from the Observers by just stepping outside when they were making phone calls?

- With all of that surveillance apparatus, why didn't they ever recognize and track any of the vans?

- The second Etta was revealed as a member of the Resistance, why not put her apartment under surveillance? Actually, as a member of Fringe Division, shouldn't her apartment already be under surveillance?

- Why do the Observers have nightclubs?

- If the Observers no longer exist, why is Peter still there at the end? Either September never interrupts Walternate's research, the cure works, and Walter has no reason to break the universes, or for whatever reason he does anyway and then Peter drowns in the lake because September isn't there to save him. Either way, no Etta.

- What's the point of rescuing Broyles if time is just going to be reset anyway? It increases the chance for failure and misses an opportunity for reversible angst.

- When did Walter mail the tulip? Does the U.S. postal service deliver to the past now?

- If Michael is a direct result of Observer evolution and experimentation, and the Observers no longer exist as a result of him showing up in the future, then how does he show up in the future?

- The Observer plan makes no sense either. If they invade the present and do things to the environment that shorten the human lifespan and force present-day humans to live in misery and oppression, then how do humans advance to the stage of technology where they can create Observers?

- Wasn't it better when they were just weird and inscrutable and ate lots of hot sauce? I think so.

- Sick of the reset button. They've used it too many times. The only cool reset was the one where Peter stopped existing (I mean, I like Peter, but it made sense).

- Sick of the power of love being the solution to things. I suppose in this case it was the power of SCIENCE! but it was still love-motivated SCIENCE!



So that was longer than I intended it to be. Shorter review: The season 4 ending was great and they should have stuck with that.
sabotabby: raccoon anarchy symbol (zizek)
There is not a lot that could get me out to Nuit Blanche (which combines huge drunken crowds, exhaustion, cold, and corporate sponsorship of the arts) but I have very few celebrity crushes, and one of them was speaking at it. Accordingly, I ventured out to Symposium: Until the End of the World to see Slavoj Žižek talk about the apocalypse at Toronto City Hall.

Photobucket

the apocalypse will be averted because the Communists will win )
sabotabby: raccoon anarchy symbol (doomsday)
It's been awhile since my dreams have been properly apocalyptic, but this one made up for lost time.

cut for the uninterested )
sabotabby: raccoon anarchy symbol (red flag over TO)
Royson James has a scary article that summarizes a bunch of our Honourable Wife-Beating, Drunk-Driving Mayor's terrible ideas that are going to "transform," and by "transform," he means "screw over," Toronto.

I just can't get over how malicious so many of these plans are. Eliminating bike lanes on Jarvis was bad; eliminating them in Scarborough is nothing but a brutal and vicious attack on the urban poor. (Of course, Jarvis has got all the attention and protests. Of course.) Now he wants to cut subsidized child care and sell off seniors' homes, lay off city workers, and—this is particularly rich in a city that recently saw a spate of arsons as developers embark on their mission to gentrify the downtown core and turn all the neat neighbourhoods into condos—lay off firefighters. I'm actually fine with cutting cops, since we have too many and they get paid too much, but you know that won't happen in the end.

Instead, Ford will continue to demonstrate his inability to do basic math, as he did when he scrapped the cheap, practical Transit City plan in favour of a pie-in-the-sky dream of a few more subway stations that will never actually happen. This is a guy who thinks he can balance the budget by buying his own paperclips in his office.

I know I'm preaching to the converted, but we pay taxes and spend money on civic infrastructure for a reason. It's a good reason. Cities don't run themselves. Even communities, no matter how strong and vibrant, don't run themselves. I'm pretty sure if you laid off city garbage workers, Yorkville and Church and Wellesley and the Danforth and Rosedale would not descend into filthy dystopias; the neighbourhood BIAs would take care of it like they did during the garbage strike. I don't think that would happen in Malvern, Jane and Finch, Regent Park, or Rexdale, though. And once public transit is unusable and bike lanes are gone, the traffic jams and longer commuting times will eventually affect Ford's base of NIMBYs in Etobicoke. I'd say that I hope Ford Nation chokes on its own smog and filth, but you know they'll just move to the 905 when things get genuinely uncomfortable here, leaving the rest of us to fester in a broken city that will take decades to rebuild.

Watching City Hall bluster and batter its way through municipal politics as it turns Toronto the Good into Toronto the Fuck You, I've Got Mine is like watching a slow-motion train wreck. Except despite everyone's commentary just after the election where the chattering class was convinced that Ford wouldn't cooperate with anyone else on council and find himself isolated and impotent, it's actually a faster-than-expected train wreck.
sabotabby: raccoon anarchy symbol (keep calm and shoot them in the head)
Go look at your blog/journal. Find the last Fandom-related thing you posted. The characters in that post are now your team-mates in the Zombie Apocalypse. How fucked are you?

Yep, the last fictional characters I posted about were from Treme. I have nothing to worry about. Even the least badass character on that show would just roll their eyes and keep going in the face of a zombie apocalypse.
sabotabby: raccoon anarchy symbol (science vs religion)
Via Feministe, behold this EPIC video about how if you don't pray on a certain day, the world will end:



Feministe has a video description.

WHAT IF WE DIDN'T ANSWER THE CALL FOR PRAYER? Apparently the world ends? But we never find out, because the far-too-ethnically-diverse-to-be-real congregation gets down on its knees on the floor (they ran out of pews? It's hard to tell) and the lightning stops and the fiery sky turns back to blue. If this is how the season finale of Fringe goes tomorrow night, I will be sorely disappointed.

There is some beautiful green-screening. Interesting type effects too.

We are reminded that God created the heavens and mountains (and can take them away JUST LIKE THAT).

And the music. The music is just so epic. It's exactly the kind of music I have to repeatedly stop my kids from using in every single video they make.

What I don't understand—and correct me if I'm wrong—is that Christians of a certain stripe (I don't even want to say evangelical Christians because I can name at least one who is Not Like That) actually want the world to end. Like, that's their thing. There are billboards advertising it all over the city at this point, and they've even settled on a date. Which is soon. Yet the message of this video seems to be "pray or it's the apocalypse for you!"

I am very confused.

Also, I don't know about YHWH, but I'm guessing Cthulhu does not approve of videos like this, and will eat the people who made it last.
sabotabby: raccoon anarchy symbol (design)
New and exciting blog the Eschatologist has an interesting and charmingly non-judgmental article on the redesign of the Left Behind novels and what the new covers say about how pop culture imagines apocalypse(s).

left behind old and new covers

Aesthetically, I like the new typography—much more modern, fun, and refreshing. The old covers had an extremely formal design, with the horrible faux-stone 3D effect on the serif type. This made the apocalypse seem like a done deal, to be honest, which robbed the novels of any sort of suspense that their protagonists might, you know, actually lift a finger to attempt to struggle against evil rather than calmly waiting out the Tribulation. Also, the type on the old covers looked too much like a movie poster, which is presumptuous.

Image-wise, I am split. The photos for Left Behind, Soul Harvest, Appolyon, Assassins, The Indwelling, The Mark, and Glorious Appearing are clear improvements. Tribulation Force's new cover is terrible. It looks like a dull book on American policy in the Middle East. No one wants to see photos of faces on the covers of trade fiction books. It is simply Not Done.

The cover of the original edition of Nicolae is terrible—the new one is a much better photo, artistically speaking—but I agree with the Eschatologist that it kind of screws with the meaning. Carpathia is not supposed to look like an old Soviet bureaucrat. For fuck's sake. The original one is a terrible composition but at least it keeps the whole Antichrist-as-charming-visionary aesthetic.

I disagree with the Eschatologist on the cover of Assassins. I don't disagree that it's racist as fuck. It is definitely racist as fuck. It's prettier, though. The original looks like a Clancy cover.

I can't make up my mind on Desecration. Personally, I'm just not sure a book with dead fish on the cover will sell. Who is their target market, exactly? Does this target market like dead fish floating in blood and, more importantly, are they likely to either buy it to put on their bookshelves or give it as a gift? "Just what I wanted for Christmas, Aunt Maude! A book about dead fish floating in blood." Whereas on the old cover, it's clear that the Antichrist is rising and means business, and they manage to get this impression across without dead fish floating in blood. I'm just sayin'.

Both of the covers for The Remnant suck. Come on, book designer! This is a series about the end of the world—you really couldn't find a better photo to use?

The old cover for Armageddon is the clear winner. As a book designer, if I'm given the choice to show the Four Horsemen of the Apocalypse or a helicopter flying over an explosion, I'm going to choose the former every time, if only because the movie Live Free Or Die Hard is pretty much the end of the story in terms of illustrating helicopters and explosions. Also, horses are cool.

left behind,books,cover design
What Would Sabotabby Do?

Both covers for Glorious Appearing are a bit shit, mostly because they missed the boat. That's the book where Jesus comes back and shoots laser beams out of his eyes and burns all of the sinners in a pit of lava (sorry, I guess that was a spoiler). That is the sole reason why anyone would pick up the book, to read about Jesus with laser beams shooting out of his eyes, and you're telling me that the designer couldn't be arsed to put that scene on the cover? What. A. Waste.

left behind,books,cover design
There, I fixed it.

I really like the new clock graphic, too. Subtle, Tyndale. Very subtle.

Still, this would be a very difficult book design project, both because a designer would have to actually read the books and also if you don't do a good job, Jesus will kill you with his laser eye-beams, so I doff my hat to the person tasked with this endeavour.
sabotabby: raccoon anarchy symbol (glenn beck)
The only thing funnier than Jonathan McIntosh's Donald Duck/Glenn Beck mash-up:


[The above video is captioned by lovely people!]

...is Glenn Beck's response to Jonathan McIntosh's Donald Duck/Glenn Beck mash-up:


[Not captioned yet, unfortunately.]

Hat tip: [livejournal.com profile] culpster.


Psst, [livejournal.com profile] snarkitysnarks: The party responsible for the May 21st apocalypse billboard is Harold Camping. I know this from my learnings. Well, from Slacktivist mentioning it in passing.
sabotabby: raccoon anarchy symbol (glenn beck)
I guess everyone has seen this video of Glenn Beck trying to explain Operation Payback to his viewing audience:



[Sorry, I can't find a transcript. I am going to do my best to post transcripts for any video I post; consider it a New Year's resolution.]

The thing that gets me, beyond that Glenn Beck has not heard of D&D, is that the entire narrative framework here is so over-the-top. I mean, just look at the players: Assange (Chaotic Neutral*, and ripped right from the pages of the Millennium Trilogy), Bradley Manning (Lawful Good turned Chaotic Good), 4chan (Chaotic Neutral turning into Chaotic Good before our eyes), and Beck (Lawful Evil. I want to say Chaotic Evil but his utter irrationality is not actually relevant in this particular conflict.) The conflict here is at a global level, a life-and-death struggle, both for individuals and for nations. But at the same time, let's admit it, it's a bit cartoonish, you know?

Meanwhile, just outside the centre of the empire, my life is pretty stable, so it makes reading the news a bit surreal. Everything we conspiracy theorists on the left have speculated was true actually is, everyone is finding out about it, and—like I've always said about the conspiracy narrative—not doing anything about it.

I just read one of those insufferable books about the future (The Pirate's Dilemma by Matt Mason), which seems hilariously outdated less than three years after its publication. It predicts a hypercapitalist libertarian utopia of youth nanocultures that will somehow result in a fairer, more just world. I think the idea of nanocultures has actually come and gone. Meanwhile, I edited a book last weekend that started out as a grim dystopia marked by paranoia and omnipresent surveillance, and it seemed less like a cautionary tale and more like a story about present-day London.

The things we thought were kind of silly two years ago are accepted fixtures of reality now. Think of Bruce Schneier's TSA contests; many of the hilarious security measures that readers proposed are now in place in American airports. Howard Beale's sociopathic clone is allowed on TV to rant, and, like his less-colourful fictional counterpart, is ridiculously popular amongst the sorts of people who still watch things on the TV.

Goddamn it, I know I've made this complaint before, but won't someone think of the near-future dystopic fiction writers? We can't write that fast.

* He'd get a promotion to Chaotic Good were it not for the rape accusations. It is totally possible to be a hero in one area and a villain in another. I mean, Gandhi slept naked with 13-year-old girls and was penpals with Hitler.
sabotabby: raccoon anarchy symbol (doomsday)
[livejournal.com profile] thegiantkiller posted a sweet apocalyptic music mix, which I happily downloaded.

But, you know, you can never have too much post/apocalyptic music, so without further ado, allow me to present:

Photobucket
Post-Apocalypso: A Spooky October Music Mixtape

Download all 32 songs here!

track list under the cut )
sabotabby: raccoon anarchy symbol (iCom by starrypop)
I would be remiss in my duties if I did not share with you all From This Swamp: Lovecraftian and Dystopian Music. You can download entire albums of spooky shit. A lot of it is punk and black metal, but there are some quirkier selections.

Particularly good:

Atomic Platters: Cold War Music From the Golden Age. Loltastic songs in a variety of genres, many of which are about Joe McCarthy or Joe Stalin.

Salah Ragab and Cairo Jazz Band. Egyptian jazz with an emphasis on drums. Very beautiful.

Tom Waits: Black Rider Demos. Very different from the version that you should already own.
sabotabby: raccoon anarchy symbol (doomsday)
I am overall against capital punishment, but I make an exception in one particular circumstance: when an individual holds a leadership role in a regime that has committed unforgivable crimes against humanity. I don't believe in executing such individuals as retribution or deterrent, but as collective catharsis. One can't hang every fascist. The foot soldiers of an oppressive and anti-human regime, those too cowardly to do anything but follow orders, must generally be reintegrated with society after the regime falls, which is why torture victims in Chile at church or the grocery store sometimes look over and see their former tormentors, untouched and untroubled by the law. Thus, the society is justified in beheading the king to destroy what he represents. Mussolini got what he deserved; Pinochet ought to have. In this instance there is no chance of executing an innocent person; the condemned has already proudly declared his guilt. This is the sole circumstance under which I believe a state has the right to take a life of an individual.

I bring this up because states matter less and less these days, when we're really under the rule of gods. Don't worry, I haven't suddenly turned religious on you—I refer, of course, to immortal legal persons, to corporations. There ought to be a category of international law, similar to crimes against humanity, to represent crimes against the planet and crimes against future generations.

You can't throw BP in prison, that's all I'm saying. They used to hang horse thieves—much easier to replace a man than a horse. And it would be impossible to replace the Great Barrier Reef. There isn't punishment enough in the world to fit what these greedy bastards have done.
sabotabby: raccoon anarchy symbol (doomsday)
SOPUDEP School is a school in Petion-ville, Haiti, that serves the poorest children in the city. As of this morning, there was no word on the condition of the school, but it's been confirmed that the director, Réa Dol, is alive. The resources of the school and its teachers are being fully mobilized to assist the neighbouring population.

Yele (formerly known as the Wyclef Jean Foundation; 100% of the funds go directly to the relief operation.

Haiti Action Committee is working directly with the Haiti Emergency Relief Fund.

[livejournal.com profile] help_haiti: Fandom auction.

For some background, check out "Our Role in Haiti's Plight. (Does anyone have any good links specifically outlining Canada's atrocious role?)

(Completely unrelated, but it did bring a smile to my face and an outdated icon to this post: The Doomsday Clock is at six minutes to midnight.)

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