As promised, some words about the most horrific book I have ever read.
It's called
Voices from Chernobyl: the oral history of a nuclear disaster, written by Svetlana Alexievich and translated by Keith Gessen. Alexievich interviewed hundreds of people affected by the Chernobyl meltdown, including liquidators sent in to clean up the disaster, firefighters, scientists, soldiers, family members of victims, and, most chillingly, young children. I'm not sure whether it's their stories, her editing and transcription, or Gessen's phenomenal translation, but there's a haunting lyricism to the monologues that places the reader at Ground Zero of the humanitarian catastrophe of these stories.
I'm afraid of the rain. That's what Chernobyl is. I'm afraid of snow, of the forest. This isn't an abstraction, a mind game, but an actual human feeling. Chernobyl is my home. It's in the most precious thing: my son, who was born in the spring of 1986. Now he's sick. Animals, even cockroaches, they know how much and when they should give birth. But people don't know how to do that. God didn't give us the power of foresight. A while ago in the papers it said that in Belarus alone, in 1993 there were 200,000 abortions. Because of Chernobyl. We all live with that fear now. Nature has sort of rolled up, waiting. Zarathustra would have said: "Oh, my sorrow! Where has the time gone?"
I think I was startled by just how compelling and awful I found this, given that I've read plenty of books on the Holocaust and Hiroshima and Iraq and Afghanistan and Palestine and the Congo and Bhopal. Maybe it's because the Chernobyl meltdown happened when I was seven, and is one of those events that stuck in my mind and gave me nightmares, or because, while there are no shortage of disasters and wars and horrible things that can happen, Chernobyl was unpredictable and, as we saw in Japan, can easily happen again. Could have happened here. But it's also the luminous quality of the writing that makes the suffering and death depicted in these pages feel incredibly concrete and present.
On a more cheerful note, I went to Word on the Street today and picked up an incredible haul:
The Female of the Species, Sarah McCully. Sarah and I were friends in high school, but from the description of the book, I'd still be completely eager to read it even if I didn't know her. She's also an incredible musician and I bought her CD as well.
The Panic Button, Koom Kankesan. I know Koom as well, through teacherly things. Anyway, Alan Moore recommended it, which is good enough for me. I can't believe that someone I know (albeit not someone I know well, but still) is in communication with Moore. I seriously envision him living this Salingeresque life of hermitude that he emerges from only to write the occasional comic and make disparaging remarks about cinematic adaptations of his work.
Book of Disorders, Luciano Iacobelli.
Teaching Rebellion: stories from the grassroots mobilization in Oaxaca, Diana Denham and the C.A.S.A. Collective. I'd never heard of this book but I think it's obvious why I'd have picked it up.
Zot, Scott McCloud. I feel it is probably essential to read this.
Barnum: In Secret Service to the USA, Howard Chaykin. Never heard of it, but I liked the cover and it's by Howard Chaykin.
The Authority: Human on the Inside, John Ridley. I didn't read very far past Ellis' run on
The Authority, and that clearly needed to be remedied.
I also picked up some cool t-shirts, one from
Canadian Journalists for Free Expression and another from
Spacing Magazine, and three issues of
Shameless for my class.
I am very pleased about this, as I ran out of books that I own, haven't read, and am excited to read. I've got some holds at the library but I'm going through a new book every few days. One of my holds is
Das Kapital, which should keep me out of trouble for awhile, but in the meantime I need some good commuting reading.
In other news, I have a migraine. Still. The pills aren't helping.